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4



1998; rune grammofon; RCD 2007
reissued 10.02

4.1 / 4.2 / 4.3 / 4.4 / 4.5 / 4.6 / 4.7

produced by deathprod and supersilent
recorded and mixed at audio virus lab by helge sten
mastered by audun strype
all selections by supersilent
sleeve by kim hiorthøy
p & c 1998 rune grammofon as
distributed and marketed by ecm records

2005; bomba records; BOM 24052
released 23.10.05

4.1 / 4.2 / 4.3 / 4.4 / 4.5 / 4.6 / 4.7

note:
japanese edition; gatefold paper sleeve.

1998; rune grammofon; RCD 2007
released 23.11.98

note:
original edition, out of print.

note by rune grammofon:

New, quite stunning recordings from the quartet spearheading the new wave of Norwegian jazz. Colourful, dynamic and more varied than their debut, it combines improvisation and electronics, without a drumloop or computer in sight.

note by ecm:

Supersilent is the most exciting young band to have come out of Norway in a long time. It's an alliance between three improvisers - with roots in both jazz and rock - and mixmaster and experimental ambient artist Deathprod (aka Helge Sten). All options are open in their performances: they are splendidly, dangerously, unpredictable.

Supersilent is, in a sense, the flagship band of rune grammofon, and seems to embody the label's manifesto. Supersilent was formed by the alliance of an existing improvisation group called Veslefrekk - with ten years of playing history behind them - with producer/sound manipulator Helge Sten (aka Deathprod). They played together for the first time, without any prior rehearsal, at the Bergen Jazz Festival in 1997 and immediately made headlines. The musical success of the experiment convinced the participants that this had to be a permanent group, and they went into the studio to play many hours of non-stop improvisation from which their debut triple album,"Supersilent 1-3", was ultimately drawn. "1-3" was released in Norway in January 1998. Supersilent - the name, by the way, derives from a logo on the side of a truck spotted in Oslo - was quick to build a reputation as one of Scandinavia's most viscerally exciting concert acts. There is a dangerous unpredictability about their music, a sense that anything can happen. All parameters are open. From moment to moment, they can touch on elements of hardcore noise, imply industrial soundscapes, recall Miles at the Fillmore or Stockhausen in Donaueschingen, or play the most delicate and filigree "ambient" sound-washes. There is a savage beauty in this music, with lyricism and disruptive fierceness counterbalancing each other. In brief, Supersilent stretches definitions of jazz to near breaking point, yet at the same time its members' improvisational skills are finely honed, all four players -and Sten/Deathprod must be considered a player, too, not just the wild card - know how to listen, how to react and interact. And if jazz can still be considered the "sound of surprise" then Supersilent fulfils the description. Helge Sten, Ståle Storløkken, Arve Henriksen, and Jarle Vespestad still don't rehearse or even discuss their music. They meet only to play concerts or to record.

In this group, Sten is credited with playing "audio virus". He explains, "My instrumentation is made up of home-made electronics - old tape machines, ring modulators, filters, theremins, samplers and so on, and my usage of these devices is very unpredictable." Supersilent records in Deathprod's Audio Virus studio, packed with analog and digital hardware amassed originally for his electronica/ambient solo projects; the improvisers are not shy about experimenting with this technology but, as free music players, they insist on real-time applications only. Even in the studio, all the music is played live. Overdubs have no place in the band's modus operandi.

Three of Supersilent already have strong ECM associations. Keyboardist Ståle Storløkken is a full-fledged member of Terje Rypdal's "Skywards" band. Trumpeter (and electronics player) Arve Henriksen was heard recently on "No Birch" with the trio of pianist Christian Wallumrød. Jarle Vespestad has played with Nils Petter Molvær, Jon Balke and Tore Brunborg, amongst others.

Arve Henriksen is a graduate of the Trondheim conservatory and has been a freelance musician since 1989. He has played with many musicians familiar to ECM listeners, including Jon Balke (of whose Magnetic North Orchestra he is also an alumnus), Anders Jormin, Edward Vesala, Jon Christensen, Audun Kleive, Nils Petter Molvær, Misha Alperein, Arkady Shilkoper, Marc Ducret, Bjørn Kjellemyr and the Cikada String Quartet, as well as Sten Sandell, Frode Gjerstad, Peter Friis Nilsen and many other Scandinavians committed to free improvisation.

Supersilent synthesizer player Storløkken studied at the Trøndelag Conservatory. He has participated in projects with Louis Sclavis, Jon Balke, Lars Danielsson, Jon Christensen, Audun Kleive, Nils Petter Molvær, Anders Jormin and Tore Brunborg, and has composed commissioned music for the Kongsberg and Vossajazz festivals.

Drummer Jarle Vespestad has played in diverse rock, jazz and improvised contexts. He worked with Henry Kaiser and David Lindley during their ethnomusicological trawl through the far North, has recorded several albums with the experimental jazz-folk-rock band Farmer's Market, and played with the jazz collective Embla Nordic Project..

Supersilent toured Germany and Switzerland in January 2000. Later in the year they will play the Musik Triennale in Cologne. They are also booked for the Gulbenkian Jazz Festival in Lisbon in August.

Supersilent was recently voted "Band of the Year" in Norwegian daily newspaper Aftenpost.

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